Today, I've at last finished all the catch-up from our trip and can settle in to getting some work done. As a way of putting that off, I'll do one more instalment on the trip: Paris. After checking in to the Hotel near the Place des Vosges, we went round the corner to Cafe d'Antoine for a cheap and cheerful meal. Next morning, we went round the other corner into the Place des Vosges, beautiful as ever, but without the chestnut trees in bloom. As we proceeded on our trip the chestnut flowers gradually came out until by the end they were in full bloom. We went to the Victor Hugo house in the Place. It is a slightly cluttered, fussy house but it was good to see an example of a nineteenth-century French prosperous house. We had a very pleasant lunch at an unpretentious Marais cafe (Sevigne) and went to the Picasso Museum which, as well as having lashings of his work, is also a pleasing palace in its own right. In the evening, we had a good meal in the Grands Boulevards, near the Opera Garnier (Cafe Cappucines), then went to our box in the Opera for Don Pasquale. It was a good production but marred by a slightly underpowered Don Pasquale. However, the experience of being in this wonderful old opera house was well worth it. The next morning (Thursday), P. was not feeling well, so he stayed abed and I went off to reccy our afternoon excursion. On the way, I had a nostalgic look at the Pont Neuf and the Tuileries. In the arvo., after a quick bistro lunch at a cafe called the Cooperative, we joined a tour to Giverny, the Monet house north of Paris. On a previous trip, we had missed it as we drove there on a day that it was closed and could only peer over the wall. It is well worth visiting, and the trip to get there and back is lovely. The driver took us past La Roche-Guyon where Rommel parked himself during the war, as well as other Monet haunts such as Argenteuil. In the evening, we returned to the so-called classy eatery we visited last time, Bofinger, which has splendid decor and a lot of pretension. This time it was more like Faulty Towers. The food was okay, but the waiters (all men) were disastrous, dropping things and getting orders wrong. Next day (Friday), we went to the Gustav Moreau museum (part of the project to visit things we had missed before). It was good to see another fairly intact old house, though his art leaves me a bit cold. We then headed off to the burbs for the Musee Marmottan (Monet, continuing a theme). We had lunch on the way at the Tabac de Muette, a very traditional old bistrot, with lots of rusted-on customers. The Monet museum was splendid as always and had a very crowded temporary exhibition of eastern-influenced art, mainly French. We had dinner for P.'s birthday at a very good, contemporary local restaurant, Le Capitaine. The staff, both cooks and waitrines were very pleasant and the food was splendid. On Saturday, we went to the Luxembourg Gardens and an exhibition of the Nabis (Bonnard and company) whom you don't see too much of. We were thwarted in going to the Petit Palais as Yellow Vest demos in the Champs Elysee closed the relevant metros. All the way on our road trip through the south of France we came across the odd small demos at roundabouts. We followed up with a Spanish fish dinner (!) then went to a splendid production at the Bastille opera of Lady Macbeth of Mtensk, by Shostakovich. It was gripping. How the singers fill the vast space of the Bastille auditorium is a puzzle. We were also thwarted the next morning, in leaving Paris, as the streets were closed off from 7am for the Paris Marathon. Madame at the hotel finally worked out that we would have to leave in a taxi at 6.30 to get to the Gare Montparnasse for our train to Lourdes. This worked well, except we had to spend nearly three hours in a freezing cold station with very few good facilities. (They are doing it up, but too late for us.) However, we were eventually on our comfy TGV heading for Lourdes.