Modern music and Heide
On Friday, P., Frank and I went off to the Recital Centre for the first concert in the Melbourne Symphony Orchestra's Metropolitan New Music Festival. This series is mainly U.S. composers though this program had the premiere of a piece by a Melbourne composer, Lisa Illean, which was very good, but overshadowed by the following piece, On a Wire, after which the concert was named, by Jennifer Higdon, and featuring eighth blackbird, who contributed to the programming of the festival. It concluded with the frenetic Dystopia, a piece on urban freneticism by Michael Gordon, with accompaniment of footage of vintage Los Angeles (not a pretty sight). We had a good meal before at Yoyogi in Swanston Street.
On Saturday, after the Convent market shopping, P. and I went to Heide for a session on twitching at Heide. It appears the John Reed was a devoted twitcher, and twitching formed part of his wooing of Sunday Ballieu (as she was). Sean Dooley was the main speaker (the session was supplementary to the exhibition on the Heide garden development). He gave information about the birds of the area and trumped himself with a viewing of a rare powerful owl down by the Yarra. Artist Louise Saxton gave a short talk about the connections with her artworks, embroidery remade as wildlife illustrations remade. She was particularly interesting about some of the wildlife artists.
We then had the light lunch at Bistro Vue which was very good, then went to the Danilo Vassilief exhibition in Heide II, which, cumulatively, raised my estimation of this artist, though whether he was in fact a huge influence on Sid Nolan remains problematic for me.
Though the exhibition and session were interesting, I maintain that you can know too much about the Reeds and Heide.